I will confess that when Kristina offered up her latest challenge “Can photographs tell the truth?” I laughed. Only because I’ve been twisting the ‘truth’ through my photography for 30 plus years. In my experience they absolutely can’t tell the truth, they can only show a particular view point.
To illustrate that point lets look at the famous Diane Arbus photo: Child with Toy Hand Grenade in Central Park. I’ve always loved this image, the skinny awkward child with the weird grimace on his face holding a toy hand grenade. So many questions come to mind when looking at this arresting image. Why does he look so ‘odd’? Why is he holding a hand grenade? Why is his left hand misshapen? It turns out that when you see this image in the context of the entire contact sheet, the subject is a ‘normal’ boy happily playing in the park. Only in this one photo, taken out of context, is a deeper truth reveled. To some degree, this is the same for all photographs.
I started thinking about other photographers I know and whose work is universally respected as “true”. I immediately thought of conceptual artists Bernd and Hilla Becher’s and their documentary photographs of a vanishing industrial Europe. The couple is well known for their extremely formal, large format photographs of water towers, coal bunkers and other examples of industrial machinery. These portraits are similar to specimen photography, taken from the same angle, in consistent tones which allows the viewer to break down these monolithic objects into simple shapes. They present the objects as objectively as possible. Through these purely documentary photographs, we are allowed to see a “truth” in these objects.
It was with the Becher’s images in my minds eye that I decided to photograph the classic LEGO spaceman in as objective a way as possible. I wanted to remove him from the fantasy world that I normally place him and shown more of the surrounding area that is usually cropped out when I’m creating an image.
While I enjoyed this challenge and I like the images I created, I don’t feel this was a successful challenge for me. I really admire the results that both Kristina and AliceinCleveland presented. If I was going to do this over, I would break out the tri-pod, work towards a f64 depth of field and use a variety of mini figures. I would still compose my images in black and white. I enjoyed setting my camera on monochrome and viewing the world without color. For me that was the most successful aspect of the challenge.
Can a photograph tell the truth? No I don’t think it can. It can tell a story, it can reveal a view point, but the truth? No, a photograph is only an instrument of the artist and as such, an extension of their viewpoint. I suspect even the Becher’s would agree with me.
Have you tried any of our challenges? If so, please let us know so we can learn from your experiences too!